The Way to Market Station

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The Way to Market Station

Slumberland began operations in 1989 as a collective effort consisting of members of DC area bands Velocity Girl, Big Jesus Trash Can/Whorl, Black Tambourine and Powderburns. We were inspired by such musical happenings as C-86, early Creation, Postcard, K, Bus Stop, lower East Side noise, and also the renegade art aesthetics of people like Cage, Burroughs and Duchamp. We were complete musical neophytes but so pumped-up about all the amazing things going on in post-punk independent music that we just had to jump in.
The explosion of punk had left behind a thriving network of 'zines, labels and distributors and we felt that there was room for our noise-loving, pop-obsessed aesthetic. While there were loads of US indie labels releasing a steady stream of 7"s, there wasn't much pop going on. Notable exceptions included Bus Stop, K and Picture Book, and we hoped to join that group and help chisel out some space for melodies amongst the noise.
Early releases from Velocity Girl and Black Tambourine struck a note, and we found like-minded popsters getting in touch from all over the world. As we expanded the label roster and our own horizons, the goal was always to bring you great songs and interesting sounds from a range of styles. And so it continues over twenty years later and 150+ releases later. We still get excited about listening to and sharing new music, and hope to be delivering sublime slabs of pop beauty for many years to come.

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  • Wow. Just. Wow.
doomandgloomfromthetomb:

Burn My Fingers, Burn My Toes
It’s Feelies Friday! OK, I just made that up. But what better way to celebrate the end of the work week by listening to this live show from New Jersey’s finest, recorded at Maxwell’s, their home away from home in September of 1984. This was around the time that the band’s new lineup (Mercer/Million/Sauter/Demeski/Weckerman) solidified — the lineup that continues to this day! They don’t sound like a group just finding its footing, though. They’re on fire throughout the 13-song set, playing tunes from both Crazy Rhythms and the yet-to-be-recorded Good Earth. There are a bunch of highlights that make this recording worth your time, such as: an ominous reading of “The Obedient Atom,” the ultimate Feelies outtake; a blindingly good “Forces At Work;” and the closer, an unbelievable race through Eno’s “Third Uncle.” Get Feelied! [Photo courtesy the Feelies Facebook page]. 
Download
More Feelies from the archives: 
Chicago 1986
Crazy Rhythms - Live!
Perpetual Nervousness - A Feelies Family Tree
Real Cool Time - Feelies Covers, 1972-2011

    Wow. Just. Wow.

    doomandgloomfromthetomb:

    Burn My Fingers, Burn My Toes

    It’s Feelies Friday! OK, I just made that up. But what better way to celebrate the end of the work week by listening to this live show from New Jersey’s finest, recorded at Maxwell’s, their home away from home in September of 1984. This was around the time that the band’s new lineup (Mercer/Million/Sauter/Demeski/Weckerman) solidified — the lineup that continues to this day! They don’t sound like a group just finding its footing, though. They’re on fire throughout the 13-song set, playing tunes from both Crazy Rhythms and the yet-to-be-recorded Good Earth. There are a bunch of highlights that make this recording worth your time, such as: an ominous reading of “The Obedient Atom,” the ultimate Feelies outtake; a blindingly good “Forces At Work;” and the closer, an unbelievable race through Eno’s “Third Uncle.” Get Feelied! [Photo courtesy the Feelies Facebook page]. 

    Download

    More Feelies from the archives: 

    Chicago 1986

    Crazy Rhythms - Live!

    Perpetual Nervousness - A Feelies Family Tree

    Real Cool Time - Feelies Covers, 1972-2011

    (via obeseethiopians)

    Posted on January 27, 2012 via Doom & Gloom From the Tomb with 72 notes

    Source: doomandgloomfromthetomb

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